Source: IMDb |
Deadgirl (2008) is not a film I'd recommend. It fails as an exploration of consent and masculinity, and it fails as a 'disturbing' movie, which is what it's trying to be. I would say that this film is disturbing, as there are numerous scenes of sexual assault and random violence, however it meanders so much that, even as something fucked up that you would watch with friends to prove what you could handle, it's a slog to get through. All this is worsened by the fact that the acting and script are awful, meaning not only can you not be entertained intellectually or viscerally from the sheer affect of what you're witnessing, you also can't enjoy it as a movie that's so bad it's good. What's worse than an offensive film is a boring one. And this film is boring in so many ways it's hard to count. But I would say that the true tedium comes from the lost potential when exploring this subject matter.
The plot of Deadgirl is quite simple: one day, two teenage boys, JT and Rickie, find a dead woman in an abandoned mental hospital. Almost without skipping a beat, JT suggests that they 'keep' her rather than going to the police. Rickie objects to this and grows distant from his friend, until he finds out that he has been charging boys at school money to rape the corpse, who is revealed to be undead and capable of turning people into zombies.
In the wrong hands, a film with this plot is terrible, because it refuses to look past its own smugness about being shocking. Instead of being about something, this film pisses around because it knows that you are watching for the specific reason of being horrified by the violence. It seems to know that you aren't interesting in the why, but instead that would just like to see the what and the how. Without depth, this film is just shocking for the sake of it. I have no issue with filmmakers exploring taboo topics, but there are many artistic works that explore what this film is attempting to so much better. Kissed (1996) is an uncomfortably empathetic look at necrophilia; Jennifer's Body (2009) subverts the idea of the perfect victim and even seems to predict the predatory nature of indie pop punk bands; Snowtown (2011) is explores how masculinity can be moulded into violence.
Source: All Horror |